Signed by a human
My entry in The Listserve (circa 2013).
By @jack on
I think... I think that if I were a book, I'd be a bulky hardcover who's publisher never bothered with the flashy dust-jacket. I'd be quarter-bound- of soft blue and brown linen, with a shiny silver gilded title- just a tiny touch of elegance here and there. I'd be that unassuming tome in the corner, patient and polite with all those who's hands merely skim over me on the shelf. For those who open the book and dive in (because after all, a hardcover without a dust-jacket lacks an easily accessible synopsis), they find themselves drawn into a story absolutely overflowing with footnotes and parenthesis and made up words and italics.
They'll find tales that will remind them of Orwell's time in Paris, poorly written poems, romantic tales of prancing steeds and courageous dogs, and all sorts of things that incite raucous laughter. My book would tell tales of life in a large family, of sun-riped blueberries still on the bush, of the sorts of trouble a young lady can find herself in in small-town america, of the smell of baking bread, and of the the things one's capable of when one realizes you can make a difference in this world. It would be profane. It would be heart-wrenching. It would be filled with words of encouragement and self-deprecation and revelations about life and death.
The corners of my binding would be smashed from being dropped. As you turn the pages, you'll come across pressed flowers and pretty leaves tucked away to save for a rainy day. The flowers will have stained the surrounding pages, their color bleeding out into the paper. There are all sorts of notations- underlined, circled, occasionally with comments scribbled in the margins, but more often than not, there's little to no explanation, because either there's no need to explain or no way to explain.
Jack
San Francisco, CA
Signed by a human
My entry in The Listserve (circa 2013).
By @jack on
I think... I think that if I were a book, I'd be a bulky hardcover who's publisher never bothered with the flashy dust-jacket. I'd be quarter-bound- of soft blue and brown linen, with a shiny silver gilded title- just a tiny touch of elegance here and there. I'd be that unassuming tome in the corner, patient and polite with all those who's hands merely skim over me on the shelf. For those who open the book and dive in (because after all, a hardcover without a dust-jacket lacks an easily accessible synopsis), they find themselves drawn into a story absolutely overflowing with footnotes and parenthesis and made up words and italics.
They'll find tales that will remind them of Orwell's time in Paris, poorly written poems, romantic tales of prancing steeds and courageous dogs, and all sorts of things that incite raucous laughter. My book would tell tales of life in a large family, of sun-riped blueberries still on the bush, of the sorts of trouble a young lady can find herself in in small-town america, of the smell of baking bread, and of the the things one's capable of when one realizes you can make a difference in this world. It would be profane. It would be heart-wrenching. It would be filled with words of encouragement and self-deprecation and revelations about life and death.
The corners of my binding would be smashed from being dropped. As you turn the pages, you'll come across pressed flowers and pretty leaves tucked away to save for a rainy day. The flowers will have stained the surrounding pages, their color bleeding out into the paper. There are all sorts of notations- underlined, circled, occasionally with comments scribbled in the margins, but more often than not, there's little to no explanation, because either there's no need to explain or no way to explain.
Jack
San Francisco, CA